Knowing Your Piano Students!

by Stephanie Clark
When I first started teaching piano, my two boys were automatically my new students—most often taught against their will.  At that time I taught all students pretty much the same way including my two boys

My boys are very different from each other and so are all my other students—-even though everyone is different, I was teaching everyone the same way.

Then I learned something that helped me tremendously, not only interacting with students but with people in general.  Personality profiles or the “four temperament” models of human behavior.  Everyone has a different personality type, children, musicians, co-workers, parents, everyone.  It is important to note that one disposition is not better than the other—just different.

Outgoing: The individuals like to “go” and are constantly on themove, create excitement and take the “party” with them.  They are fast-paced and energetic, usually positive and optimistic.  They like to win and are involved in everything!  They usually do not lack in self-confidence and sometimes bite off more than they can chew. But that’s ok, they’ll “hustle” and make up the difference.

Reserved:  These individuals are “steady eddies” and may be the proverbial tortoise left in the dust.  They usually end up crossing the finish line ahead, however, because they have a lot of patience and stamina to get the job done.  They are usually reserved types and cautious and reluctant to get involved in too many activities.  They prefer, rather, to look into a situation a little longer than jumping right in.  They look below the surface.

Task oriented:  These individuals enjoy doing things, making plans, working on projects, and find great pleasure in a job well-done.   Sometimes they can be so focused on getting the job done that they can easily hurt someone’s feelings.

People oriented: These individuals like to interact with other people and they are more concerned with way people feel than simply accomplishing a task.

If you are a beginning piano teacher, you’ll find it helpful to KNOW YOUR STUDENTS!  What do you want in a student?

It is important to remember that all your students are going to be different!

There’s an old saying
the teacher has not taught anything until the student has heard.

We hold the keys for our students’ success
so wouldn’t it make sense to adapt our teaching to their style?

Knowing your student can help reduce turnover on your part and frustration on the student’s part.

Do they have a piano or keyboard?  This is very important! How old are they?  They need an attention span of at least five solid minutes.

The “Key of C” Musician

A lot of beginning musicians learn to play first in the key of C.  Since the key of C has no sharps or flats in its scale, it very easy to learn.  Here are some “Key of C” principles I want to apply to my life as a musician!

Converted to a new life in Jesus Christ.
Concrete in my personal testimony.
Confessing Christ at every opportunity.
Crystal-like in radiating Jesus in my life.
Confident of my hope in Christ Jesus.
Consistent in fulfilling my Christian responsibilities.
Concentrating on making Christ known through song.
Concerned about doing my best for the glory of the Lord.
Consecrated to the task which is mine.
Cooperative – always keeping my spirit right!
Considerate and kind to others everywhere.
Communicative and encouraging.
Committed and faithful!

Do You Hear What I Hear?? The Basic Chord Changes–I – IV – V

We hear a lot of talk about playing by ear, but usually what we’re doing is teaching our students to learn the three basic chord changes of a key signature and then just try to put them into songs until they find where they fit. In this lesson I am going to suggest several things we can actually LISTEN for so we’ll know and not have to guess what chord change is used.

Remember this lesson will cover just the basic changes—the I, IV and V. If you cannot automatically HEAR these movements or are teaching a beginner to hear chord movements, this will be a great foundation!

The examples given are in the key of C so I’m using the C scale (do-re-me-fa-so-la-te-do). It has all white notes and is the easiest key to play. In preparation:

  1. Get familiar with the C scale. The notes are:
  2. C – D – E – F – G – A – B – C

Listen to the C scale going UP and coming DOWN

Click button to hear audio.

  1. In the key of C, the basic chord changes are the C (I) chord, the F (IV) chord and the G (V) chord.
  2. Learn those chords. They are also called triads because they are 3-note chords.
  3. It is IMPERATIVE to learn chords in 3 positions. These are  called the ROOT position, the 1st inversion (to invert means to turn something over—so you’re basically just turning over your chord) and the 2nd inversion.  Click here to download the Major Chord Charts.

Listening Clues:

The tonal movement from the C to F goes UP higher or “lifts.”

Click button to hear audio.

The tonal movement from the C to G goes DOWN or lower.

Click button to hear audio.

In the song “To be like Jesus” on the first line
.you will hear

  1. The melody moving up the C scale, C, D, E, F  You know you are moving from the C chord to the F chord in the 1st inversion.
    You also can listen for the bottom end (bass or left hand) to move up the scale C, D, E, F.   The numbers under the staves below are scale degrees related to the C scale.

Click button to hear audio.

DYHWIH_I-IVA

Click button to hear audio.

DYHWIH_I-IV-LH

  1. On the 2nd line “to be like Jesus” you will hear the F moving back to the C chord in the 2nd inversion. You will hear the bottom end of the song move down F, E, D, C and you’ll be back to the C chord.

Click button to hear audio.

DYHWIH_IV-IA

Click button to hear audio.

DYHWIH_IV-I-LH

  1. “to be like Him” You will hear the C move to the G chord in the Root position.
    • The melody notes might move: C E D – when you arrive at the D note you will play the G chord.
    • Or the melody might move: C D E D – this will indicate a move to the V change which is the G chord.
    • You will be able to hear (at least in your head) the bottom end move down C, B, A G

Click button to hear audio.

DYHWIH_I-VA

Click button to hear audio.

DYHWIH_I-V-LH

  1. “All through life’s journey” The G chord moves back to the C chord in the 1st inversion. Listen for that bass line moving G A B C
  2. “From earth to glory.” Listen to the bottom end move C, D, E F and you know you’re moving to the F chord.

Click button to hear audio.

DYHWIH_I-IVB

  1. “I only ask” goes back to the C chord in the root position.
  2. “To be” goes to the G chord – listen for the bass end to drop lower
  3. “Like Him” – comes home to C – song ends with C in the 1st inversion.

Click button to hear audio.

DYHWIH_I-V-IA

Just a quick hint! The 1st two lines of “This Land is Your Land” is pretty much identical to “To Be Like Jesus”

Another thing to remember is that the BASIC chord changes will most likely take place on the DOWNBEAT (beat 1 of the measure) or beat 3.

Now I’m going to play through “To Be Like Jesus” with simple chords.

Click button to hear audio.

In the Song “God is So Good”

  1. 1st “God is so good”.   Listen for bottom end to move lower C B A G or the melody line to move C E D and you know you’re moving to the G chord in the Root position.

Click button to hear audio.

DYHWIH_I-VB

Click button to hear audio.

DYHWIH_I-V-LH

  1. 2nd “God is so good” – listen for the bass end to move G, A B C – and you’re coming back to the C chord in the 2nd inversion.

Click button to hear audio.

DYHWIH_V-IA

Click button to hear audio.

DYHWIH_V-I-LH

  1. On the 3rd line “God is good” – listen for the bass end to move C D E F a quick F chord in the 1st inversion.
  2. “He’s so good” – bass end coming back down to C in the 2nd inversion.
  3. “To” – bass moving lower to G – notice the melody note is on the D putting the G chord in the Root position.
  4. Comes back home to C in the first inversion. The melody will move E D C and you’re home!

Click button to hear audio.

DYHWIH_I-IVC

Click button to hear audio.

DYHWIH_I-V-IB

Now I’m going to play THROUGH “God is So Good” with simple chords.

Click button to hear audio.

I hope you have enjoyed this lesson and will share it!  Remember this is just the I, IV and V–the foundation chord movements!   We’ll catch the moves to the vi and ii later!!!

Be blessed!

EASY RUT BUSTER – Inversions

RutLargeWords

Do you find yourself using certain chords in just one position—no matter when you use that chord? I have found that to be a very common occurrence when working with students who already play.   I hear all the time “oh—I only can play that chord like this!”   Quite honestly that can hinder the smoothness of how you play and how you move from chord to chord—BUT IT CAN BE FIXED!   It’s up to you to do it!!!

Click here to go to the HELPS page and download and print out the MAJOR and MINOR  PDF chord files.  Take just 10-15 minutes EVERY DAY to play through several triads—ROOT position, First Inversion and Second Inversion—UP and DOWN the keyboard.

Here’s an easy order in which to learn them….

C  – G – F

Gm – Fm – Cm

D – Bb  – E

Dm – Am – Em

Bb – Eb – Ab

Bbm – Ebm – Abm

B – C#(Db) – F#(Gb)

Bm – C#m – F#m

Remember you don’t have to practice every triad in one day—this is a PROCESS. Don’t think of this as regression—it’s just “shoring up your music foundation!”

When you can play EVERY triad UP and DOWN the keyboard with speed with your eyes closed—you are thoroughly familiar with that triad! Try it—I PROMISE this works!!!!

Easter 2015

Easter is April 5!  What are you doing this year??   If you have a great song or program idea you’d like to share, please use the comments option for ideas related to this post.

ShareBulbSmall

These can be older, tried and true songs or new material.  If you can include the composer or who it was recorded by, please do so.  If you have a link to a youtube video that’s great too!  Here are some of my favorites

Forever – Kari Jobe
Jesus Messiah – Chris Tomlin
He’s Alive – Mark Condon
Glorious Day – Casting Crowns
I’m Amazed – Carol Cymbala
The Name of Jesus – Aaron Crabb
Crimson Blood – Pamela Rentzel (View/Listen Here)